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California Heritage: Indigenous Research Project
About
Homeland Return
Homeland Return
Yulića Celebration
Vision for Yulića
Phase 1 Success
FAQ
Support Homeland Return
Community Resources
In The News
Art Fundraiser
Reciprocity
'UBA SEO
Art
Governance
Blog
Store
0
0
Learn & Take Action
About
Folder: Homeland Return
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Homeland Return
Yulića Celebration
Vision for Yulića
Phase 1 Success
FAQ
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Store True Names Prints
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True Names Prints

from $35.00

Art: True Names Series

Artist: Robert “Bo” Blain

Collection: 2019 VTA // Homelands: Restoration. Sovereignty. Recognition

Art Description: The disruption of indigenous languages as part of a broader infiltration of indigenous culture has been a strategy of empire building societies for ages. If a people lose their language they also lose the stories, memories, spirits, and connections to the land held within their original words and expressions. For the Nisenan the process of forced forgetting was done via various coercive means which forced them to assimilate to the point eventually trying to hide their indigenous identities to avoid discrimination and violence. Another strategy used to erase Nisenan language was the forced placement of Nisenan children into boarding schools where they were further severed from their words, traditions, and place.

A remembering is taking place within the remaining Nisenan who have begun the challenging task of reincarnating their original language. This graffiti was created to support this Nisenan remembering process and in the spirit of reclaiming the true names, and with them the stories of the original people, of the lands on which we live.

‘ustomah (oo-sto-maa) – Is the true name for the place now occupied by the municipal incorporation called NEVADA CITY.

daspah (da-sp-aah) – Is the true name for the place now occupied by the municipal incorporation called GRASS VALLEY.

pan pakan (pahn-paw-kawn ) - Is the true name for the place now occupied by the municipal incorporation called LAKE WILDWOOD.

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Art: True Names Series

Artist: Robert “Bo” Blain

Collection: 2019 VTA // Homelands: Restoration. Sovereignty. Recognition

Art Description: The disruption of indigenous languages as part of a broader infiltration of indigenous culture has been a strategy of empire building societies for ages. If a people lose their language they also lose the stories, memories, spirits, and connections to the land held within their original words and expressions. For the Nisenan the process of forced forgetting was done via various coercive means which forced them to assimilate to the point eventually trying to hide their indigenous identities to avoid discrimination and violence. Another strategy used to erase Nisenan language was the forced placement of Nisenan children into boarding schools where they were further severed from their words, traditions, and place.

A remembering is taking place within the remaining Nisenan who have begun the challenging task of reincarnating their original language. This graffiti was created to support this Nisenan remembering process and in the spirit of reclaiming the true names, and with them the stories of the original people, of the lands on which we live.

‘ustomah (oo-sto-maa) – Is the true name for the place now occupied by the municipal incorporation called NEVADA CITY.

daspah (da-sp-aah) – Is the true name for the place now occupied by the municipal incorporation called GRASS VALLEY.

pan pakan (pahn-paw-kawn ) - Is the true name for the place now occupied by the municipal incorporation called LAKE WILDWOOD.

Art: True Names Series

Artist: Robert “Bo” Blain

Collection: 2019 VTA // Homelands: Restoration. Sovereignty. Recognition

Art Description: The disruption of indigenous languages as part of a broader infiltration of indigenous culture has been a strategy of empire building societies for ages. If a people lose their language they also lose the stories, memories, spirits, and connections to the land held within their original words and expressions. For the Nisenan the process of forced forgetting was done via various coercive means which forced them to assimilate to the point eventually trying to hide their indigenous identities to avoid discrimination and violence. Another strategy used to erase Nisenan language was the forced placement of Nisenan children into boarding schools where they were further severed from their words, traditions, and place.

A remembering is taking place within the remaining Nisenan who have begun the challenging task of reincarnating their original language. This graffiti was created to support this Nisenan remembering process and in the spirit of reclaiming the true names, and with them the stories of the original people, of the lands on which we live.

‘ustomah (oo-sto-maa) – Is the true name for the place now occupied by the municipal incorporation called NEVADA CITY.

daspah (da-sp-aah) – Is the true name for the place now occupied by the municipal incorporation called GRASS VALLEY.

pan pakan (pahn-paw-kawn ) - Is the true name for the place now occupied by the municipal incorporation called LAKE WILDWOOD.

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Thank you!

CALIFORNIA HERITAGE: INDIGENOUS RESEARCH PROJECT
P.O. Box 2624, Nevada City, CA 95959
(530) 570-0846
info@chirpca.org